International Journal of Innovative Research and Development

Abstract

The sexual minorities dwelling in India are fettered by the discrimination, stigmatization and continuous subjugation of the hetronormative social structure. The role of section 377 of the IPC also acted a very important role in shaping the homophobic environment in the present Indian society. The politics of creative resistance that is developed by the Indian cinema not only brings to light the plight of queer lives and experiences, but it also constructs an alternative culture against the dominant hetronormative culture that redefines the present Indian society. Indian Queer movement, like many other new social movements, is based upon the idea of bringing a social change; a change in our understanding of sexuality not from the conventional stage but from a peripheral one. It strives to demolish the manicured walls of predominant paradigms that define the sexual universe of any common man. The main argument is that with the increasing popularity of queer themes in Indian cinema a positive change can be expected to occur within subjective self of Indian society.

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